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Selasa, 13 Mei 2008

- CODE MIXING CONDUCTED BY THE MUSIC PRESENTERS OF MTV GLOBAL ROOM ON GLOBAL TV

by:

DARYATI
O6304026

ABSRTACT




The research entitled “Code Mixing Conducted by the Music Presenters of MTV Global Room on Global TV” is intended to find out the kinds of language, the forms of code mixing, the position of code mixing and the reason of code mixing conducted by music presenters of MTV Global Room.

The type of research belongs to descriptive qualitative research. The object of this research is Code mixing Conducted by the Music Presenters of MTV Global Room on Global TV and source of data of this reserch is the music presenter of MTV Global Room. The researcher uses observation and noting techniques to collect data. In analyzing the data, the research takes the following procedures. First the writer Identifies the code mixing in each part of the conversation based on the language involved with noting technique. Second the writer Identifies the code mixing in each part of the conversation based on the forms of word by going different codes. Third the writer identifies the code mixing in each part of the conversation based on the position. Finally the writer identifies the code mixing in each part of the conversation based on the probable reasons that cause them to occur.

The result of the research shows that the languages used by the music presenters of MTV Global room are Indonesian, English, Javanese and Betawi. The forms of code mixing in the music presenters of MTV Global Room are divided into six: they are code mixing in a word form, code mixing in repetitive form, code mixing in affix form, code mixing in phrase form and code mixing in clause form. Code mixing in the word shows in noun, verb, adjective, conjunction, numeral and preposition. The positions of code mixing are in the beginning, in the middle, and the end of sentence. The reasons for using code mixing are to show prestige, to be intimate to the interlocutor, no exact terms or words in Indonesian, the interlocutor and emotional appeal.


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